âSame Walk, Different Shoesâ is a community writing project that
organized as a practical exercise in empathy. The premise is simple. A group of writers anonymously contribute a personal story of an experience that changed their life. Each participating writer is randomly assigned one of these story prompts to turn into a short story. The story you are about to read is one from this collection. You can find all the stories from the participating writers at Catch & Release. Enjoy the walk with us.
My motherâs grandfather was a cobbler back in the Old Country. That was what she and my father called it, the Old Country. Ignoring the fact that Sicily was, geologically, less than a million years old, compared to Australiaâs 3.8 billion. Maybe they meant that Sicilians are just generally old. I was last there at age six, and everyone seemed great-grandfather old. All the younger people had left to seek work in places like Melbourne.
And now, instead of returning to university, I was to be one of those workers. At a shoe store.
My motherâs ancestor aside, shoes were not in my blood. Cigarettes and TaB and chips were in my blood. Boredom and apathy and â70s feminist movies were in my blood. I wallowed in a routine that established itself with disturbing ease once I dropped out after a year of not a lot of university and a lot of extra-curriculars. I moved back to my childhood bedroom to read novels and listen to music. I collected the stickers off fruit and stuck them to my door.
Returning to Uni was out of the question. Listening to my parents fight about money and my fatherâs drinking and especially about me was taking a toll. And I couldnât face yet another inquisition about my future over the burble of the stovetop Moka or the gush of lavender-scented water filling the tub. So, one day, on my usual route for cigarettes, I continued south on Lygon Street and stopped at the first HELP WANTED sign.
The sign was hand-lettered in black marker on a square of cardboard by someone with no spatial sense. The HELP was fine, but greedy WANT over-stretched, bullying the E and D against the edge like skinny hostages.
People hurried and jostled behind me. I scanned the dusty jumble of shoes lined up in no discernable order on the sort of open wood shelves youâd find at a charity shop.
Thick-strapped leather sandals fit for a Roman soldier.
Shiny black Mary Janes like the ones I wore to First Communion.
Espadrilles in a beachy tan with ocean-blue stripes.
Tiny Keds a teenager could hang from his rear-view mirror.
Brown wingtips destined for a 50th-floor office in the glassy Rialto downtown.
Pink kitten-heeled house slippers trimmed in sleek white rabbit fur like Aunt Agnes wore, as my mother said, because she could.
A man stepped out of the store. Red hair in a comb-over, black suit, white shirt open at the collar, very red face. Somehow he was both thick around the middle and gangly.
âHullo. Interested in shoes?â
I didnât give a good goddam about shoes and I was too floored by his voice to speak. He sounded like a seven-year-old girl.
âWe have a position.â He said it in such a suggestive way, lingering on position, that my mind went to a ludicrous sex scene Iâd just read in Follettâs Pillars of the Earth. This man couldâve written it.
âIâll take it,â I said.
He barked a laugh. âI like your enthusiasm.â And there it was again. That linger. âWeâll need a chat first. Come in.â He opened the door wide and stood against it.
The store was narrow, dim, and empty. The reddish gray carpet must have been installed before I was born. Shelves lined the two long walls. Single shoes crowded together like spectators at a sports match: pumps, sandals, loafers, runners, slippers. The only boots on offer in summer were plain work boots like the ones my father wore to his job wiring new buildings downtown.
The man sat on a cracked red leatherette stools with an angled mirror at the base and gestured to a bench.
âSit.â His tone seemed to try for inviting but came out hoarse and eager.
I sat. The wood was cool and worn. A splinter jabbed my bare thigh. He hadnât noticed, but even I knew cut-off jeans werenât ideal attire for a job interview.
âExperience?â he asked with the odd inflection, equal parts smarmy and cocky.
A bell tinkled. An ample Italian nonna entered on a gust of street noise and heat.
The man sprang up. âGood day, Madam. How may we assist you today?â
That we brought me to my feet, sockless in dirty white, threadbare Keds.
The woman plucked a hot pink stiletto from the shelf. âHave this in a size 12?â she asked in a dusky Dolce Vita accent that mocked her widowâs black dress.
âOf course, Madam,â he said brightly. âPlease make yourself comfortable just here and Iâll be back in a jiff.â
Even I knew he shouldâve measured her. On impulse, I picked up the foot-measuring thing and said, âFirst, letâs check your size.â
She eyed me with suspicion. âOh.â
âWouldnât want your new shoes to pinch.â Not that a shoe like that could be anything but torture.
She submitted a reluctant, stocking-clad foot to the metal contraption. Drawing on pure instinct and my own limited experience as a shoe customer, I guided and slid and measured.
âLook at that,â I said. âSpot-on size 12. Iâm not sure we have a . . . double-E, but Mr.ââI had no idea what his name wasââThe owner will find something.â
The man emerged with a teetering stack of boxes balanced under his narrow chin. He took in the scene with a frown, then blustered on. âHere we are. Brought you a few alternatives, in case.â
The bell tinkled again and here came a young, harried mother with two boys in tow. She was a dead ringer for Sybylla Melvyn in âMy Brilliant Career,â which Iâd seen two nights ago at Cinema Nova in a double feature with âAlice Doesnât Live Here Anymore.â This was how Judy Davisâs Sybylla wouldâve ended, if sheâd given up writing to marry Sam Neill instead of finishing her novel.
This womanâs boys were maybe seven and nine, or four and six, who knew? At Uni, there were no kids. Everyone was either my age or old. Their coiled feral energy foretold trouble, so I went right to work.
âGood day, how can I help?â
The motherâs rapid hand motions and speech conveyed urgency, like if we didnât complete a transaction within the next five minutes, she couldnât be held responsible for the chaos that would ensue.
âYes, we need sandals, something sturdy.â
I glanced around but saw no kiddie sandals. Anyway, no self-respecting wild boy would be caught dead in sandals. Picture a young Holden Caulfield in sandals. Itâs not possible. Might as well go barefoot.
âWhat about a fun pair of runners?â I pulled small yellow, orange and green Keds off the shelf, handing them off to the boys like candy.
âWhat? No,â the woman said, but she was already weakening. âWe needââ
âI want the red ones,â the shorter boy said.
âNo, I want red.â The taller yanked it from his brotherâs hand.
I took the disputed shoe and crouched to their level. âGood thing we have enough pairs so you can both have red.â Trying for authoritative but closer to menacing sarcasm.
They gaped. I heard the ownerâs murmur and glimpsed the first woman teetering on the hot pink stilettos with surprising grace. Quick mental flash of her sashaying on a runway, blue-rinsed head held high, lips puckered, executing a perfect twist-turn.
âThey wear a five and a four,â the mother said, counting down to chaos.
I had this. âLetâs check, shall we?â I placed the metal device at their feet, which initiated a jostle for who would be first.
âIs that really necessary?â
I nodded sagely. A line surfaced from deep memory of my own childhood shoe-store visits. âWith young, growing feet, we must take care to size correctly.â It was pure theater, this interaction, a masterful performance. I felt powerful after months of deliberate apathy.
I sold two pairs of Keds to the woman, plus a strappy blue flat for herself, which she insisted on taking without trying on. My acting talents did not extend to the transaction, however. The incredulous owner had to step in for that.
I surveyed the aftermath. Ten open boxes, heels of varying heights and colors strewn about. The pink stilettos sat side by side on the bench in amused disdain.
âNo sale?â I asked, pleased beyond all reason with my own performance.
He shook his head and huffed. âShe comes in every week. Hasnât bought a pair yet.â
I stooped to box up the rejected shoes, vowing in my head to complete that sale next time she came in.
âYou start tomorrow,â he said with a sigh. âWe need a womanâs touch around here.â He stood watching and did not offer to help, though there were no customers. âCome at 8:00. Weâll do a supplier pickup.â
I hadnât risen so early since first semesterâs Italian class, which Iâd taken without telling my parents. They expected me to study Econ and Psych and Statisticsâanything, to their minds, that would land me in a white-collar profession. I wanted to learn Italian so I could understand my aunts and uncles and cousins back in Sicily, but that was more fantasy than plan. Weâd last been there for my grandmotherâs funeral thirteen years earlier. My uncle paid for the tickets.
My parents were embarrassed by their accents and determined that I would be â100% Australian,â whatever that meant. They refused to speak Italian in my presence, except as a secret code between them and their friends.
Their arguments were bilingual. It didnât matter. Yelling needed no translation. Rancor, resentment, and rage was a universal language.
My new boss Mr. Cooper drove an old Honda Civic, faded silver with an orange door on the passengerâs side that creaked when I opened it. After I got in, I tried to roll down the window. It was hot, already 28, and I was sweating through my blouse.
âThat doesnât work,â he said with no trace of apology. âNo worries, weâve got A/C.â He twisted the knob to High. Tepid, stale air blasted my feet.
Thinking Iâd fare better in the back, I pulled the door latch.
âThat only works from the outside,â he said, putting the car in gear and pulling into traffic. âIâll be the chivalrous knight and release you from my carriage when we arrive.â
Chivalrous knight? His face was glistening red, his comb-over already fraying where it wasnât plastered to his forehead.
At the supplierâs, I took charge of stacking the boxes into his trunk and backseat. He called me a genius, said I fit thirty percent more than he ever had. âYouâll go far in this business,â he said, dead serious.
I wondered what calamity would condemn me to a life selling shoes. The sudden death of a husband would do it, like Ellyn Burstynâs Alice in the movie. Itâs how she ended up slinging breakfast at a diner, dodging grabby hands, and telling everyone she was a singer. She shouldâve skipped the marriage part and gone straight to the singing career.
âBreakfast,â Mr. Cooper said as we headed out. It wasnât a question.
âI already ate.â I never ate in the morning and even if I did, facing this man over a sticky diner table in an anonymous industrial area outside Melbourne would cure any appetite.
On the freeway, out of the blue, he said, âYou look nice today.â
I tried to pass it off as a simple comparison with the shorts of yesterday, but the tone gave me a chill. Which took some doing in that stuffy, cigarette-stale hotbox.
âDid you hear me?â His eyes focused on my chest, as if my answer would come from there.
 âUh huh.â I shouldâve said, I donât hear with my boobs. Like Alice said to the asshole bar owner, âLook at my face. I donât sing with my ass,â when he told her to turn around so he could look at her.
âI think weâre going to do well together,â Mr. Cooper said. âYouâre an impressive young woman.â He reached over to pat my knee. The thick carpet of red hairs on the back of his handâmore than on his headâgleamed.
âWhat music do you like?â He squeezed my leg just above the knee, glanced over at me, kept the hand there.
I brushed the hand away and reached for the radio.
âThat doesnât work. Thereâs a tape deck. Tapes are in here.â He leaned over and reached for the stowage at my knees.
Again, I pushed him away. âIâll do it. You drive.â
He laughed. âI like your take-charge attitude. Strong woman.â
The hairs on the back of my neck stood up. I busied myself with his crap tapes. Chicago, BeeGees, Village People, Rod Stewart.
He snatched Rod Stewart before I could choose the best of the pathetic lot and popped it in. âYou know him?â
No, Iâve been living under a rock warred with Yes, and itâs why I donât listen to him.
âDo Ya Think Iâm Sexy?â came on. It wouldâve been pathetic if it wasnât so awful.
âThis is the best. Puts you in the mood, yeah?â
No. In no world was Rod Stewart sexy. Kris Kristofferson was sexy. Sam Neill was sexy. Rod Stewart, never.
At a stoplight, here came the hand again, this time darting up under my skirt for a furtive foray up my inner thigh. He gazed at me, open-mouthed. âEh?â was all he said.
The same primitive fear jellied my limbs as when Sean, who Iâd partied with many times at Uni, decided in my final month to force himself on me. But this time, instead of numb paralysis, I rallied. Propelled by disgust, I channeled the confident Sybylla, the feisty Alice.
âNo.â I pushed his hand away and yanked on the useless door handle. How could I be so stupid?
âRelax,â he said. âJust being friendly. Itâs nice to be appreciated, yeah?â The light went green and he gunned it.
I stoked my rage to a slow boil while fending off two more of his appreciations. When we arrived at the back of the store and he opened my door, I dodged past him without a word and stalked down the alley. He called after me.
âWhere are you going? Help me with these boxes.â
âLucy! Come back here, young lady.â
âCome on. I was just playing.â
And when I didnât answer, louderâ
âBitch.â
âSlut.â
âWhore.â
I turned the corner on Grattan Street and kept going till I got to my favorite bookstore. Marsha the owner was just opening. She greeted me with her usual âHullo,â like she didnât care if I lived or died. I liked that. No expectations.
In five minutes, Iâd chosen and bought Margaret Atwoodâs newest, Catâs Eye. I spent the day reading in Carlton Gardens in the shade of a White Poplar. It was the first time Iâd quit a job, but it would not be the last.
"The motherâs rapid hand motions and speech conveyed urgency, like if we didnât complete a transaction within the next five minutes, she couldnât be held responsible for the chaos that would ensue." I recognize this mom.
Wow, this is brilliant. Cinematic and not just because of the film references. I felt like I was there, able to visualize every scene. This is a remarkable piece of writing which I know must have come from some painstaking research to find not just the place of the story but the voice of the narrator. Bravo, Julie! One of my favorites in this collection so far.